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Victorian Library Secrets: When Book Titles Tell Tales

The Victorian era (1837-1901) is often associated with strict moral codes and proper social behavior. However, this Late Victorian book stack wine cooler (c.1880) tells a different story—one of clever concealment and sophisticated wit.

As Garden Court Antiques’ Jim Gallagher explains: “A lot of these things you’d find in an English library. They get referred to as ‘hidden vices.’ In the Victorian era, everybody still liked to drink and smoke and play a little poker, but you sort of hide it a little bit.”

The deception extends beyond mere appearance. The chosen titles reveal the Victorian love of educated humor: three volumes of “Magna Britannia”—a legitimate and respected historical series documenting British counties—are joined by two volumes of “Liber Gelarum.” This latter title is a scholarly-sounding Latin pun: “gelare” means “to freeze” or “to chill,” making it quite literally the “Book of Chilling”—a subtle joke about its true purpose as a wine cooler.

Such intellectual playfulness was characteristic of Victorian novelty items, where the joy came not just from the concealment but from the clever details that rewarded those in the know. The craftsmanship matches this wit—convincingly tooled spines, careful aging of the leather bindings, and a perfectly fitted mercury glass insert demonstrate the marriage of function and sophisticated humor.

Details: Late Victorian Book Stack Concealed Wine Cooler, English, Circa 1880

Five book stack concealed wine cooler; three volumes of “Magna Britannia” and two of “Liber Gelarum” the top volume revealing a glass cooler/ice bucket insert; Late Victorian period.

height: 10 in. (25.5 cm.)
width: 10 in. (25.5 cm.)
depth: 10 in. (25.5 cm.)

Ref: JG-293

^jh

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The Heatwave of 1858: The Great Stink.

House of Parliment 19th century

[Excerpted from The Ghost Map. The Story of London’s Most Terrifying Epidemic – and How It Changed Science, Cities, and the Modern World, by Steven Johnson (Author) ©2007, p. 205-6 ] In June 1858, a relentless early-summer heat wave produced a stench of epic proportions along the banks of the polluted Thames. The press quickly dubbed it the “Great Stink”: “Whoso once inhales the stink can never forget it,” the City Press observed, “and can count himself lucky if he live to remember it.” Its overwhelming odors shut down Parliament. As the Times reported on June 18:

What a pity … that the thermometer fell ten degrees yesterday. Parliament was all but compelled to legislate upon the great London nuisance by the force of sheer stench. The intense heat had driven our legislators from those portions of their buildings which overlook the river. A few members, bent upon investigating the matter to its very depth, ventured into the library, but they were instantaneously driven to retreat, each man with a handkerchief to his nose.

AFTER YEARS OF BUREAUCRATIC WAFFLING, THE GREAT STINK finally motivated the authorities to deal with the crucial issue that John Snow had identified a decade before: the contamination of the Thames water from sewer lines emptying directly into the river.

The plans had been in the works for years, but the public outcry over the Great Stink had tipped the balance. With the help of the visionary engineer Joseph Bazalgette, the city embarked on one of the most ambitious engineering projects of the nineteenth century: a system of sewer lines that would carry both waste and surface water to the east, away from Central London. The construction of the new sewers was every bit as epic and enduring as the building of the Brooklyn Bridge or the Eiffel Tower. Its grandeur lies below ground, out of sight, and so it is not invoked as regularly as other, more iconic, achievements of the age. But Bazalgette’s sewers were a turning point nonetheless: they demonstrated that a city could respond to a profound citywide environmental and health crisis with a massive

Read more

The Ghost Map. The Story of London’s Most Terrifying Epidemic – and How It Changed Science, Cities, and the Modern World, by Steven Johnson (Author) ©2007, p. 205-6

One Hot Summer Dickens, Darwin, Disraeli, and the Great Stink of 1858 by Rosemary Ashton ©2018

18 Facts About the 1858 Great Stink of London D.G. Hewitt – June 3, 2019, The History Collection.

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Happy Easter!

Vintage Easter Card. unknown (unknown cultural designation). A Joyful Easter. 1910.

The Victorians loved corresponding by mail and the advent of the uniform one penny postage rate in January 1840 made it a very economical way of staying in touch with loved ones, no matter where they lived in the country. During the latter half of the 19th century, publishers began designing writing stationery with festive images and Easter greetings. Before long, it was the fashion to exchange brightly coloured Easter cards. These could be bought quite cheaply but many preferred to make their own Victorian Easter cards with spiritual images such as lambs and crosses or bunnies and eggs on brightly colored paper all to emphasise the happy and lively nature of spring. 1

Today, Easter is the fourth most popular greeting card holiday, behind Christmas, Valentine’s Day, and Mothers’ Day.
^jh

Further readings and sources:

  1. Excerpted from “Victorian History: 10 Victorian Easter traditions you should try”, Victorian Homes, https://www.adrianflux.co.uk/victorian-homes/victorian-easter-celebrations/
    Easter Card images: Rhode Island School of Design.